The Indonesian Film

In his growth, good the entertainment film that referred to Hollywood or art films sometimes grew side by side, gave each other but also persevered. Each one had the character of diversification of the market, the festival and the pattern of his development personally.

Now in the process of the growth of the Indonesian film of not experiencing the process of the rebirth, that initially was branded as the subordinate to in accordance with the values of all the social stratum, including the middle class above, also the intellectual and the culture critic.

The film was the communal media and clung from various technology and elements of art. He clung from the development of photography technology and the recorder of the voice. Also communal various good art the fine arts, the theatre, literature, architecture as far as music. Then the capacity grew the film really depended on the tradition how elements clung technology and the element of art from the film -that in their respective community developed fast- in clung and was assembled. Therefore was not left and could compete with teknologi the media, and other art.

The history of the Indonesian film showed elements clung and communal from the film did not experience the significant growth. As a result when the community was spoilt the visual element and audio, from the development of the media's technology and other art like television, the fine arts, et cetera, the Indonesian community did not get him in the film.

The Indonesian film industry had experienced the great crisis when Usmar Ismail closed his studio in 1957. During 1992 the big crisis happened again. In 1991 the number of productions of only 25 titles of the film (in fact in general the production of the national film around 70 - 100 films per the year). It was interesting, this second crisis grew like that happened in Europe in 1980, that is growing in the fusion of the industrial emergence printed the giant, television, the video, and radio.

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And that was supported by institutional the distribution of his supervision that produced the creation link and the heterogenous market at the same time being connected with each other, but also each one grew especially. Unfortunately in Indonesia the foundation of the structure of this situation was not yet ready. Like not yet the effectiveness of the legal guarantee and the supervision of the video market, to make him the market of the two national film industries after that influenced the low level of the quality of the national film one of them was the low level of the technical quality of the employee of the film.

This was caused by the condition for the Indonesian film industry did not give the opportunity for them who had the potential to develop.

This current condition precisely developed films horror that was circling in market and really have an interest taken in it by people, especially the young. Be easy with the resurgence of available films made the Indonesian film become quality and became famous in the world.